Kenya Talks

It's going to be about me and some povo guy.. not sure who yet but having no sex at all. Absolutely no sex.



I started writing chapter 1 today after putting my clothes back on, the floor got cold.

..he was hunched over a quarter pondering where the sky ended. She watched him from the window, calculating her mortality. He sniffed the air, a scent. It wasn't the same as yesterday. She couldn't stand it any longer and threw her clothes out the window. Then stood on the window sill, naked. He couldn't take his eyes off her.

veritas wrote:..he was hunched over a quarter pondering where the sky ended. She watched him from the window, calculating her mortality. He sniffed the air, a scent. It wasn't the same as yesterday. She couldn't stand it any longer and threw her clothes out the window. Then stood on the window sill, naked. He couldn't take his eyes off her.

Now you are heading to erotica

Petals, you can appreciate beauty without sexual deviances. One of my favourite subjects at uni was aesthetics philosophy. It was such a beautiful course. I've always appreciated the male form than objectifying it. I think that's why my sexual experiences have been so pleasurable. I respect his body, he reciprocates and we proceed to have an appreciation of our carnal selves.

When humanity was first created, we were naked. We were created in the image of Yahweh, perfect.

The finest emotion of which we are capable is the mystic emotion. Herein lies the germ of all art and all true science . . . the core of the true religious sentiment. In this sense, and in this sense alone, I rank myself among profoundly religious men.

- Albert Einstein

http://www.mnemosynefoundation.com/main ... off_02.htm

William Blake (1757-1827), Jerusalem: [a naked man holding a hammer in his right hand and fire tongs (or compass) in his left; on the left, a naked figure carrying the sun on his shoulder and on the right a woman with the moon near, stretching cord from a spindle (perhaps the thread of life & time)] (Plate 100); relief etching printed in orange, with pen, watercolor and gold; Plate: 5 ¾ x 8 5/8 in (14.6 x 21.9 cm).
With many thanks to and courtesy of the Yale Center for British Art, Paul Mellon Collection, B1992.8.1(100).

Against the backdrop of revolution and social upheaval that beset the world of the late 18th and early 19th centuries, especially in Europe, England and the Americas, William Blake and other Romantic poets created eloquent appeals to mankind for reverence to nature, to reason and to spirituality. Blake's literary output was predominantly prophetic and apocalyptic. Graced with technical ingenuity, he produced highly crafted, unique illuminated books where text and image intertwine in flame-like dance and rhythm. Jerusalem is the story of humanity's quest for redemption, requiring the rejection of mistaken desire and the search for the spiritual through religion and art. Blake ends the introductory paragraphs to Jerusalem thus:

……And of that God from whom
Who in mysterious Sinais awful cave,
To Man the wond'rous art of writing gave,
Again he speaks in thunder and in fire!
Thunder of Thought, & flames of fierce desire:
Within the unfathomed caverns of my Ear.
Therefore I print; nor vain my types shall be:
Heaven, Earth & Hell, henceforth shall live in harmony
Of the Measure, in which
the following Poem is written……

and,
……Poetry, Fetter'd. Fetters the Human Race. Nations are Destroy'd, or Flourish, in proportion as Their Poetry Painting and Music, are Destroy'd or Flourish! The Primeval State of Man, was Wisdom, Art, and Science.

Beautiful.

It is time for you to get that pussy stuffed with good manamba dick, otherwise you will go insane at this rate.

You are such a brute. You need to appreciate your naked form so you can appreciate others. Nakedness is not about sex.